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West Coast picks from Ella Ray

Variable West

November 29, 2023

A Very Queer Thing opens later this week and I’m chomping at the bit to see what works are included. Artists and curators alike can be a little sensitive when it comes to identifying artworks as “objects.” I am the #1 Michael Fried hater on the West Coast so I welcome the embrace of objects, particularly when we can imagine how our queerness, among other identities that make us who we are, inform our relationship to said objects and the power this process grants us. 

click here to read Ella Ray’s cliff notes about A Very Queer Thing

A Very Queer Thing, curated by Jessi DiTillio, December 2023

image courtesy of Ron Buffington


Holding Fire at Well Well Projects

Examining PNW wildfires through social art practice

Macie Harreld for PSU Vanguard

September 21, 2023

“An unexpected collection of objects welcomes visitors into a brightly lit gallery room through the streetside windows of Well Well Projects in North Portland.

From the benefits of beavers to the materiality of forest products to the vulnerability faced by firefighters, the works adorning this gallery address separate but interconnected interests relating to wildland fire.”

click here to read the full article on PSU Vanguard

Holding Fire, Fuel Ladder, September 2023

“Forest Fashion - Lookout Edition” is a textile collection referencing goods related to fire lookouts, featuring a re-imagined code language used by backcountry travelers.

Credit: Macie Harreld/PSU Vanguard


Greased on Oregon picks from Sam Wrigglesworth

for Variable West

August 23, 2023

“In his first solo exhibition in Portland, Stoll (and friends) interrogate hyper-heteromasculinity found in the 1978 film Grease through protest, performance, film, writing, and a soggy cardboard cutout of John Travolta.

click here to read the Oregon Picks on Variable West

Greased, Tyler Stoll, August 2023

image courtesy of artist


The Fluorescent and Ungovernable Ocean of Like Liquid, Cut Loose

by Martha Daghlian for Portland Mercury

November 8, 2022

“Paper-focused visual artist Morgan Rosskopf and electronic musician Ashlin Aronin transport Well Well Projects to a chaotic blacklight grotto.”

click here to read the full review on Portland Mercury

Like Liquid, Cut Loose, Morgan Rosskopf & Ashlin Aronin, November 2022

"Chrysalis 3," mixed media and collage on hand cut paper, 22 x 30,” 2022 MORGAN ROSSKOPF


 
 

Alyson Provax at Well Well Projects

by Jennifer Rabin for Oregon ArtsWatch

August 24, 2022

“In her new show, "There is so much I want to tell you," the artist builds upon her previous explorations with letterpress and hidden text with gossamer layers. The effect is anything but insubstantial.”

click here to read the full review on Oregon ArtsWatch

There is so much I want to tell you  Alyson Provax, August 2022

Image credit Mario Gallucci

 
 

 
 
 

ASYLUM TOO IS A QUIET RECKONING

by VO VO for Art & About

December 14, 2021

“Part poetics, part didactics, ASYLUM TOO exhibition by Nat Turner Project (NTP) brackets a five-year period which began with Asylum, an installation active in September through October 2016.”

click here to read the full review on Art & About

ASYLUM TOO  nat turner project, December 2021

Image credit Mario Gallucci

 
 

 
 
 

Artist Conversation for Art & About between Alyson Provax and Serrah Russell

Introduction by Ashley Gifford

September 25, 2021

“Openly and vulnerably sharing, iterating on pieces of work sent back and forth through the United States Postal Service. The subsequent marks of these correspondences as they move through processing, travel, and arrival. The imprints of distance, touch, and being.”

click here to read the full interview on Art & About

But of course it’s hard to tell  Alyson Provax and Serrah Russell, September 2021

Image credit Rafael Soldi

 
 

 
 
 

Abundance under blacklights

by Lindsay Costello for Oregon ArtsWatch

July 6, 2021

Morgan Rosskopf and Manu Torres's "Color Burn" at Well Well Projects celebrates maximalism and artificiality.

click here to read the full review on Oregon ArtsWatch

Color Burn Morgan Rosskopf and Manu Torres, June 2021

Image credit Mario Gallucci

 
 

 
 
 

Holding on to the dear: Jade Mara Novarino and Alix Jo Ryan

by Lindsay Costello for Oregon ArtsWatch

March 5, 2021

What does what is kept say about attention and care in a period of isolation? Lindsay Costello reviews the artists' exhibition "Winnowing" at Well Well Projects.

click here to read the full review on Oregon ArtsWatch

Winnowing Jade Mara Novarino and Alix Jo Ryan, February 2021

Image credit Mario Gallucci